Boomer Highway Holiday Gift Ideas: Nonfiction Books

Looking for the perfect gift solution?  Books make great gifts.  Here are Boomer Highway’s nonfiction choices:

The Holy or the Broken by Alan Light

Boomer Highway Holiday Gifts: Nonfiction Books

The Holy or the Broken

“Hallelujah,” a song written by Leonard Cohen, has become one of the most performed rock songs in history—sung by such artists as the late Jeff Buckley, who reimagined it, Bob Dylan, Bono and k.d.lang. In his newly released book, The Holy or the Broken,  Alan Light writes about the song’s history—from its initial rejection to its universal appeal and musical malleability.  Leonard Cohen saw his work as joyous, but through the years many movie and television soundtracks have used it during poignant moments.  Most would agree it is emotionally charged and Jeff Buckley’s version brings chills.  With this publication Light joins a small literary group, books written about a single song—Ted Anthony writing about “House of the Rising Sun” and Robert Harwood “St. James Infirmary.”

Steven Spielberg: A Retrospective  by Richard Schickel

Boomer Highway Holiday Gifts: Nonfiction Books

Steven Spielberg: A Retrospective

No one has shown creative power through the medium of film more than Steven Spielberg.  His stunning work that includes the magic of E.T., and the graphic recounting of history in Saving Private Ryan and Schindler’s List has made his name synonymous with giant leaps in the advancement of filmmaking.  Richard Schickel, an acclaimed film critic and documentary filmmaker, presents a book that packs two great punches: his text is important, highlighting years of the critic’s ability to find the kernel and meat in film when one exists, and his selection of film images that create a timeline of Speilberg’s work from Jaws right up to his newest release, Lincoln. 

A Nurse’s Story   by Tilda Shalof

Boomer Highway Holiday Gifts: Nonfiction Books

A Nurse’s Story

Tilda Shalof, an RN working in the intensive care unit (ICU) of a large metropolitan hospital, experienced the camaraderie of a disparate group of nurses—a union rep, a consummate recipe writer, a smart mouth and a sensitive university grad. But the group became tight, strong, not caving when exposed daily to the emotional and physical exhaustion their work demanded.  They honed their skills taking on severe cases ( a woman badly burned in a house fire, a little league hockey player struck down by a cerebral aneurysm) because nurses like to fix things if they can.  A reviewer writes: Shalof, a veteran ICU nurse, reveals what it is really like to work behind the closed hospital curtains. The drama, the sardonic humor, the grinding workload, the cheerful camaraderie, the big issues and the small, all are brought vividly to life in this remarkable book.

When I Was a Child I Read Books  by  Marilynne Robinson

Boomer Highway Holiday Gifts: Nonfiction Books

When I Was a Child I Read Books

Marilynne Robinson, the author of two of my very favorite novels, Gilead and Home, has published a new collection of essays, revealing once again her fine mind which cannot accept the surface of thoughts, but must look deeply into our living experience.  When I Was a Child I Read Books contains essays that discuss our debt crisis, the role of charity in Christian faith, and in her essay which bears the same name as the book’s title, her childhood in Idaho, providing an exploration of the myth of the American West.  In “Imagination and Community” Robinson underlines her belief that reading makes us more tolerant and sympathetic of others.  “I think fiction may be, whatever else, an exercise in the capacity for imaginative love, or sympathy, or identification.”   In a similar vein, she writes of communities: “Language is profoundly communal, and in the mere fact of speaking, then writing, a wealth of language grows and thrives among us that has enabled thought and knowledge in a degree we could never calculate. As individuals and as a species, we are unthinkable without our communities.”

Beyond Outrage  by Robert B. Reich

Boomer Highway Holiday Gift Ideas: Nonfiction Books

Beyond Outrage

 

Former labor secretary, Robert Reich’s latest work was written to give us a clear look at America’s economy.  Reich explains how income and wealth is gifted to a narrow populace and that this trend has strongly hurt job formation and growth for everyone else.  His purpose is to clearly define why theories and proposals from the “regressive right” do not solve our economic problems, rather they increase the divide between those that have and those that are struggling.  Reich outlines a clear plan for action, hoping that those who care about democracy and the future of all people will jump on board.  Vernon Ford comments: Reich recommends that politicians and the public get out of their ideological bubbles and face the need to raise tax rates on the wealthy, reduce military spending, and restrict the size of banks to reduce the risk to taxpayers in case of failure. –Vernon Ford

 More choices for holiday gifts, next week.

 

 

 

 

 

 

 

 

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Boomer Highway’s Summer Nonfiction Reading Picks

Nonfiction readers cannot go wrong with the following choices:

Lots of Candles, Plenty of Cake  by Anna Quindlen 

One of my favorite fiction authors (Every Last One, Black and Blue, One True Thing) Anna Quindlen writes razor sharp nonfiction—her New York Times and Newsweek columns won her a Pulitzer.  And when she takes on aging, readers will continually say, yes, that’s how it is!  Excerpt from Cake: “It’s nothing short of astonishing, all that we learn between the time we are born and the time we die.  Of course most of the learning takes place not in the classroom or a library, but in the laboratory of our own lives.  We can look back and identify moments—the friend’s betrayal, the work advancement or failure, the wrong turn or the romantic misstep, the careless comment.  But it’s all a continuum that is clearly only in hindsight, frequently when some of its lessons may not even be useful anymore.  Maybe that’s why we give advice, when we’re older, mostly to people who don’t want to hear it.”

Unbroken  by Laura Hillenbrand 

Author of Seabiscuit, Laura Hillenbrand continues to amaze readers with her well researched and beautifully written works.  Unbroken is the story of Louis Zamperini, a bombardier during World War II who pulled himself out of the Pacific Ocean to a life raft, only to begin a harrowing struggle to survive.  Hillenbrand suffers from a very debilitating form of chronic fatigue syndrome, and acknowledges the irony of her situation—writing about larger-than-life heroes while she is mostly confined to her home.  “I’m looking for a way out of here. I can’t have it physically, so I’m going to have it intellectually. It was a beautiful thing to ride Seabiscuit in my imagination. And it’s just fantastic to be there alongside Louie as he’s breaking the NCAA mile record. People at these vigorous moments in their lives – it’s my way of living vicariously.”

The Immortal Life of Henrietta Lacks by Rebecca Skloot 

Henrietta Lacks was a black woman, a Southern tobacco farmer who died in the “colored” ward at Johns Hopkins Hospital in the 1950s.  Without her knowledge, her cells were put in a culture dish and amazingly did not die.  These cells known now to scientists as HeLa cells are considered one of the most important research tools in medicine.  They are still alive today though Lacks has been dead for more than sixty years.  Skloot worked ten years to uncover her story.  Lacks’ children had no idea that their mother’s cells were immortal until scientists began using her husband and children for research without informed consent. “As Rebecca Skloot so brilliantly shows, the story of the Lacks family—past and present—is inextricably connected to the dark history of experimentation on African Americans, the birth of bioethics, and the legal battles over whether we control the stuff we are made of.

Outliers by Malcolm Gladwell 

This is Gladwell’s newest book that asks the question: what makes high-achievers different?  Working with the premise that where they come from provides the key, Gladwell delves into the culture, family, generation and idiosyncratic experiences of those who have become a success or achieved much in their lives.  Would you like to know the secrets of software billionaires, why Asians and math go hand in hand, and what made the Beatles the greatest rock band?  Read Outliers. Or introduce yourself to the gifts of Gladwell by picking up one of his other works:

The Tipping Point: How Little Things Make a Big Difference (2000), Blink: The Power of Thinking Without Thinking (2005), What the Dog Saw: And Other Adventures (2009), a collection of his journalism. All four books were New York Times Bestsellers.

The Last Lecture by Randy Pausch 

Diagnosed with pancreatic cancer, Randy Pausch, a professor of computer science at Carnegie Mellon, truly gave a last lecture—not because he was retiring, but because he was dying.  He titled the lecture: “Really Achieving Your Childhood Dreams” and with humor, intelligence and inspiration talked about true living!  “Time is all you have…and you may find one day that you have less than you think,” Pausch said, going on to encourage overcoming obstacles, helping others fulfill their dreams, and seizing every moment.  Pausch’s words might echo in your head on days when complaints cloud thinking.  He knew that time and life is a gift.

 

 

 

 

 

 

 

 

 

 

 

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The Grass Is Slowly Growing, My Mother Is Slowly…

If you want me again, look for me under your boot-soles.

My mother died Tuesday morning.  My brother and I had traveled to see her and she knew us, beamed when she saw us and throughout the afternoon was able to communicate her needs to us.

Her dementia was far advanced, but my mother was able to say in halting sentences that she had to go and was afraid.  Of course we assured her that we would stay by her side.  Within 12 hours, Sunday morning, she had started her journey with rapid breathing, finally entering into a semi-conscious state.

Hospice came and started oxygen and wrote up orders for morphine which depresses breathing and of course deals with pain.  My brother and I stayed with our mother every moment for the next two days, sleeping in her room and sitting by her side.  Often we talked to her to assure her that we were there.  Mouth care is important for someone in this condition and we helped with that.  The nurses at the senior home came in frequently to check on our mother.  Our dear caregiver was also there at her side.

The process was difficult, but eased by the numbers of aids and nurses from her home who knocked gently on the door and came in to say goodbye.

Spring is slowly coming to the midwest.  My mother loved flowers and trees and in her last months was cheered by the sight of one bright yellow blossom or a single white rose.  New life will come into the world that she loved and we know that her life, so fully lived, will bless us and guide us all the days of our lives.

Writer Christopher Buckley, son of William F. Buckley Jr. and Patricia Buckley wrote The Last Goodbyes, a book about losing his parents.  When asked whether that bond ends with death, he said: It never goes away, and they never go away. Your parents are your ultimate protectors, and no matter what difficulties you’re having with them when they’re alive, you can always pick up the phone and hear their voices. They provide a certain level of comfort—just knowing they’re there. They’re like fire extinguishers mounted on the wall behind glass. You know if it really comes to it, you can break the glass.  And now they’re gone. 

My father-in-law died one spring.  I remember thinking, as I was planting my flower garden, that he would be gone even as the tiny plants I was plunging into the earth grew large, produced flowers—still lived.  I know now that often when I plant a garden my mother will be there, in my mind, feeling the warm sun as I do and loving the idea of growth and expansion.  She was the flower in my life and what she taught me and the power of her love will keep me growing until it’s my time.

The grass is slowly growing while other life ebbs away.

Thanks to jainaj     and     Madame Kno  photostreams

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REVIEW: Lipstick in Afghanistan

We have heard and seen the word AFGHANISTAN often in the last ten years.  Some readers have lost loved ones in this country of dusty roads, mountains, caves, and pink and white opium poppy fields.

We know that people die in Afghanistan—our soldiers fighting the Taliban and the peoples of this ancient country, caught in the line of fire or more often, dying from disease, hunger and injury because of lack of food and proper medical care.

Author, Roberta Gately, worked as an RN and aid worker in Afghanistan and other third world countries.  In her first novel, LIPSTICK IN AFGHANISTAN, Gately’s wide range of emotion and experience brings her nurse character, Elsa, immediately to life and makes us fall in love with the warm and courageous people of post 9-11 Bamiyan.  These character’s lives must echo those of the real Afghans Gately met while working there.

Elsa’s eagerness to travel to a country like Rwanda, so that she can use her ER nursing skills to help humanity, lands her at a clinic in Bamiyan where almost immediately she sees the daily heartache that many Afghans experience.

But Elsa’s own background of some misfortune gives her the strength to move forward into her nursing work and to find friendship with Parween, an Afghani widow who hates the Taliban and with Mike, a US soldier stationed at a safe house near the clinic.  Aware that she desires not only companionship but also commitment, Elsa forges a deep friendship with Parween that takes her far from safety while immersing her in the daily Afghan life of tea ceremony, set cultural rules and true loyalty.  Her feelings run so deeply for Parween that she questions Mike’s military role and ventures into dangerous territory to help her friend.

Gately has written a great story, but also sewn the fine threads of Afghan culture into every chapter so that the reader better understands how a people can so deeply  love this country that often seems desolate to outsiders.

The title of the novel underlines that every woman (even those who don’t know indoor plumbing, must wash their clothing in the river and often hide under a burqa) loves the color and delight of lipstick.

Gately writes on her blog: I’m not sure why it took me so long to write about my love of lipstick.  Perhaps it’s because it seems to carry a trace of smug vanity, a hint of self-absorbed conceit.  But the truth is that lipstick – at least for me – is utterly captivating.  What other product can do what lipstick does?   That tiny little tube of color is to the face what shoes are to the body – a can’t miss, feel-good purchase that will raise your spirits even if you’ve gained five pounds or lost a boyfriend.  A new lipstick will boost your self-esteem and perk up your smile.  Lipstick is the great equalizer for so many women – young and old, rich and poor, and around the globe – it is the final touch before we head out the door, the frosting, sometimes quite literally, on who we are.   

And though lipstick doesn’t define us, it surely does emphasize a smile or a nod.  It is uniquely designed for women for though men may steal our hair products and skin creams, they keep their hands off our lipsticks.  The pleasure of applying it, of drawing the color across our lips and finishing up with a coat of slick gloss, is uniquely a woman’s.  

LIPSTICK IN AFGHANISTAN is available online at Amazon.com and in bookstores.

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An Easter Book with a Different Kind of Role Model

Many folks, Christian and non-Christian, have heard of Mary Magdalene.  She appears in the Bible at prominent places in Christ’s life—two being at Easter: she was with the women who discovered Jesus was not in the tomb, having risen from the dead.  And in another reading while walking in the garden the newly risen Jesus appears to her.  She mistakes him for a gardener.

Dan Brown speculates in his blockbuster novel, The DaVinci Code, that the woman Mary Magdalene had a major role in the beginnings of the Christian church. Some early gospels that did not make it into the Bible support this concept.

Maybe that’s why DuBose Heyward, a southern author who is best known for his novel Porgy that was the basis for Gershwin’s Porgy and Bess, wrote The Country Bunny and The Little Gold Shoes.  The title page states: as told to Jenifer, some small female child in Heyward’s life who needed to know that her sex didn’t have to hold her back from becoming anything she wanted to be.

This heart-felt story cherished by many families during the Easter season, tells the tale of a simple mother bunny and how she became one of the five Easter Bunnies who travel the world bringing baskets of colored eggs and candy to children. With a copyright of 1939, it’s a tale ahead of its time.

The storyteller describes his heroine as: “a little country girl bunny with a brown skin and a little cotton-ball of a tail.”   Her dream was to grow up and become one of the Easter Bunnies.  “You wait and see!” she would say.  But the Jack Rabbits with long legs and the big white bunnies who lived in fine houses scoffed at her and put her down.

After Cottontail grows up and has twenty-one Cottontail babies, these same Jacks and big rabbits really laugh at her.  “What did we tell you!  Only a country rabbit would go and have all those babies.  Now take care of them and leave Easter eggs to great big men bunnies like us.”  Heyward writes that “they went away liking themselves very much.”

The Grandfather Easter Bunny who is wise and kind, lives in the Palace of the Easter Eggs.  In the story he must select a fifth bunny.  This is Cottontail’s chance.  She brings all of her 21 children to the tryouts where the Grandfather cannot help but notice her.

He tests her to see if she is as wise and kind as he is.  But she must also be swift.  When she scatters her 21 children and in seconds is able to round them up again, the Grandfather is convinced.  She will be his fifth Easter Bunny.  The writer tells us that when Cottontail arrives at the Palace of the Easter Eggs for this amazing duty, the other four Easter Bunnies do not laugh at her—“for they were wise and kind and knew better.”

Cottontail meets her challenges during this charming tale, her deep desire and loving heart capturing every reader and providing a sunny Easter morning finish.

The book is available in bookstores.

I want to thank my daughter, Christie, who is also a mother to a daughter and values this story for the simple power it holds for adult and child readers alike.

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A Chicago Kitchen in the 1950s

                                         

            It didn’t work out.  I made my children liver sausage sandwiches with mayonnaise, garnished the top with circles of dill pickle, and they squished up their faces and asked that I NEVER serve that again. 

            Well, okay.  I was in a nostalgic mood.  I was just remembering the lunches my mother prepared for us in our old kitchen.  Then kids came home for lunch.  My brothers and I ate grilled cheese sandwiches and tomato soup (and, Mom, please make it with milk!!).  We nibbled warm chocolate chip cookies while my mother read to us right in the middle of the day—JANE EYRE, THE RED PONY.  We’d close our eyes and picture other worlds, strain for the sound of carriages and horses’ hooves or the smells of hot sand and desert flowers.  And then the stomach churning sound—my mother slapping the covers of the book together.  We’d trudge back to school.   

            I can still vividly see my mother’s kitchen table, a scarred mahogany library table which she had covered with red gingham oilcloth.  It was perfect for rolling out dough, playing with finger paints, doing homework, or just sitting mesmerized by the red, blue, and yellow roosters strutting the wallpaper above the green plaster dado.  There were way too many moments in my life when I escaped the memory of my math teacher’s face or avoided my mother’s admonishment to read the newspaper, and just sat, lost in the festive feathers of those bantams.  Ah, moments in the old kitchen.

            For that’s where we gathered.  It was the kitchen we stumbled into as toddlers clutching a baby bottle; the kitchen we ran into as children eager for Sugar Pops or the face of the hero on the Wheatie’s box.  We ambled there as teenagers bringing our friends and perusing the contents of the refrigerator.  It was the rule to complain about what was found, the rule to combine foods in taboo ways—peanut butter and egg salad—and then shriek with laugher. 

            There were many moments when my mother stood at the enamel kitchen sink, her back to us, struggling for a stern posture, stifling a laugh.  We knew what would come next—a penalty of sorts, a dictum from on high.  She’d point to the blackboard she had nailed up over the sink where chores were marked off for each of us, the penetrating words—wash, dry, put away.   She’d add something punishing for the child of the moment—clean the hated greasy meat grinder used for making hash or the wooden rolling pin sticky with dough.                      

            But truly, the kitchen was my mother’s room.  She filled the small space with her warm gestures and words, conducted those important talks around the dinner table, and was always there to kiss us goodbye or hug us hello.

            But any kitchen worth its salt could also become the center of the storm.

            My older brother had fallen asleep over his Greek or Latin translation and now blamed my mother for sending him to a school that worked him to death. 

            I burned the toast.  Three times. 

            My younger brother appeared crying—the newly assigned patrol boy was the neighborhood bully.    

            On those forever mornings chaos blocked out kind words, if any words at all.  We forgot to help one another as we raced around the kitchen, bumping into things with that “mother threat” hanging over us—things would not go well for us if we dropped the half-gallon glass milk bottle on the floor.  Of course one day we did.  Milk, laced with shards of glass, spread its long, white fingers everywhere while we scrambled for dish towels and cloths.  To our collective surprise, my mother kept us; she did not send us to the dogs that fateful day—instead she frantically looked over our hands for cuts from the glass.

            Often my mother turned on the static-laden radio to let in the real world.  But we children didn’t hear a thing.  To us sitting sleepily at the kitchen table, life was idyllic.  We heard only the rasp of the milkman’s brakes, the jangle of bottles inside his metal basket as he came up the walk, the eggs chirping in the pan, and the bacon snapping and sizzling—breakfast sounds that broke through the constant braiding of bird song.  

            My mother was a widow and earned our keep by typing insurance policies in the dining room.  We took for granted her gift of security, as if in a fairy tale an enchanted rose thicket kept us safe.  Magic wasn’t my mother cracking open an egg and finding a double yolk.  Magic was being there in that sheltering kitchen. 

           I load the dishwasher.  Despite the fact that my family often eats exotic takeout foods with nomenclature that didn’t exist in my childhood, or we prepare meals with blenders and food processors in our gadget heaven—the kitchen is still where we gather.  And it’s there, like in my mother’s time, where I try to make my children’s empty full again, providing encouraging words before a test, comforting advice about a friendship, and those same hugs and kisses—all food for the journey.   

            I think of the wonderful kitchen afternoons my children and I have had, afternoons when there were no lessons or errands to run, no games—absolutely nothing on the calendar.  The kids would sit around the counter on the stools, attempting homework, tapping pencils, moving papers, producing occasional squeals and arguments as the phone rang, the microwave beeped, and a Game Boy hummed intermittently.  Oh, they weren’t playing jacks or pick-up sticks, they weren’t creating a new world out of Lincoln Logs, but it was wonderful, a wisp of the old kitchen.  

            The back door bangs.  The kids are back.  They each choose a stool and rattle around, giggling and smiling at me.  The sky is still full of sunlit clouds and we can all hear a basketball thumping in the distance.  I wipe the stove thinking any minute they’ll shriek and run off.  But instead, they stay, asking me questions, laughing, joshing me about my memories.  Yet as I begin to talk, I know they are eager to take in every word.  I smile at each of them and then turn away suddenly, blinking.  I see the bookshelf in the corner of this kitchen, full of cookbooks.  I focus on it—I’m sure there’s space for a copy of the RED PONY, maybe even JANE EYRE.  They’d go well with foods of great comfort—steaming tomato soup made with milk and runny grilled cheese sandwiches.

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Revolutionary Road

Based on a novel by Richard Yates, this intensely wrought film takes us into the psyches and marriage of Frank and April.  As the film progresses and we begin to see the conflicts in this marriage, the characaters’ names make more sense.  Frank is the copywriter, an ad man who sees things in black and white.  He is frank and open about his choices, April being one of them, sex with a secretary being another.  She, on the other hand, sees life with many more colors and mixtures.  Life is sometimes blurry to her and she longs to attack it and form it to suit her needs.  That’s why she wants to leave their suburban home and move to Paris where she envisions she will work while Frank, her deserving man–this is the 50s–gets to discover himself.  What is really going on here is that she will get to discover herself.  She already has two children and that is not fulfilling her.  April’s name must mean that she longs for a new chapter, a spring in her life.  Yet April is the cruelest month, the poet said, and so her dream to go to Paris is thwarted by a pregnancy.  She cannot bear to allow any of it to change her plans, so an abortion and excess bleeding takes her away permanently.  This is her revolution in the 50s.  This is the end of her road and Frank’s clearly outlined life.

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